My most recent body of work “Revival Machines,” is a series of installations that significantly
slows down technology and explores questions of time and temporality. LED and
fluorescent lights, digital clock radios, twenty-four hour analog and digital timers, are wrapped in
electrical tape, copper, lead free solder, cast latex paint, extension cords and various plastic
debris. Timers are left independent, or are daisy chained together to power up light bulbs and
media players for a brief interval — often only once during a twenty-four hour period. Alarm
clocks are set at random intervals, performing the same dynamic variability, powering up and
down seemingly spontaneously. (Smartphones and other screened devices occasionally make
an appearance, but are often obscured beyond immediate recognition.) Each device cycles on
and off, albeit briefly and never all together at once
Click on the thumbnail images below to see them full size
×
1 / 6
Revival Machine, Configuration 1, 2023, mixed media, dimensions variable
Among the various elements to this piece, there are two electric devices on timers, on plays audio recordings of chirping birds for ten minutes, once a day, the other is a media player that powers up 15 times per day, but only long enough to to display the menu screen.
❮
❯
2 / 6
Revival Machine, Configuration 1 Detail
❮
❯
3 / 6
Paul Theriault, Revival Machine, Configuration 2, 2023, mixed media, dimensions variable
Within this piece, there are 3 timed devices, a dim LED with enamel paint that powers up once per day for 5 minutes, a dismantled digital clock that rotates through its time and date functions every hour before turning off, and another unpainted yellow led that turns on for 15 minutes every two hours.
❮
❯
4 / 6
Revival Machine, Configuration 2 Detail
❮
❯
5 / 6
Paul Theriault, Untitled, 2022, mixed media, dimensions variable
A computer fan and a small red light bulb power on every 11 minutes for 25 seconds. The fans blades are interrupted by the wires supplying power to it, resulting in a rattling noise.
❮
❯
6 / 6
Paul Theriault, Wild Card 2, 2022, vibrating motor, mirror, mdf, foil tape, paint, 24 x 38 x 14
The motor is attached to the underside of the mirror, the cords are angled in such a way that prevents the motor from falling down or moving beyond the substrate it sits upon. The mirror must be positioned in a way that the vibration does not cause it to fall.
❮
❯